Category design

Sail Boats with Wings

Credit: Christophe Launay

In 2004, I had the privilege of visiting some Airbus aerospace engineers in Bristol, UK to see their latest project: a sail boat named Invictus. They had designed the catamaran with a  rigid sail–it looked and acted like an airplane wing–to compete in the international C-Class catamaran championships. It was quite a sight, seeing a sail that looked like it had been lopped off a jet and propped upright on a double-hulled boat.

Invictus didn’t win that competition, and it didn’t win the most recent one in 2007, but the team is going for it again. This week, the championship regatta was scheduled to kick off in Bristol, RI, but due to high winds the race has been postponed. When the winds let up, no doubt the teams from the UK, Canada, France, and the U.S. will hit the water and show what their boats are made of.

If you want to know more about this competition, check out my Gizmodo article here. I also wrote about the boats for The Economist in 2004. The story is here, but it’s behind a paywall, so I’ve pasted it below.

Winging it

The world’s most high-tech regatta, the Little America’s Cup, has just started

Dateline: BRISTOL

A BOAT in an aeroplane hangar is an odd sight. Odder still is that instead of having a floppy fabric sail, this vessel–a catamaran–sports a rigid wing which appears as though it has been chopped from an aeroplane, propped upright, and tethered to the hulls. But Invictus, as the boat is named, is not as out of place as it looks, for it was designed by aerospace engineers and will be sailed by John Downey, a retired Concorde pilot.

A so-called C-class catamaran, Invictus is Britain’s entry in the Little America’s Cup–a sailing competition being held off the coast of Rhode Island from September 16th to 26th. Invictus, and Ronstan, an Australian boat, will be trying to take the cup from the American defender, Cogito.

C-class catamarans are the whippets of the yachting world. The relaxed membership rules of the category (maximum dimensions and sail area are prescribed, but little else is) have made C-class cats an experimental designer’s dream. The result is vessels that can reach 30 knots (56kph) in a 15-knot wind–the sort of wind speed expected off the coast of Rhode Island at this time of year. In the proper America’s Cup, by contrast, competitors would be lucky to reach 10 knots in such conditions.

The chief feature that distinguishes a modern C-class from a normal catamaran is that solid, wing-like sail. Just as an aircraft wing provides lift when air flows past it as the plane flies, so a solid sail provides lift as the wind blows past it–except that the “lift” drives the vessel forwards, because the sail is held upright at an angle to the wind. It is this lift-like force that can carry a boat forward faster than the wind that is propelling it.

Such forward-directed lift is not unique to a solid sail. A fabric sail also works at least partly in this way (the billowed curve induced in the fabric by the wind acts as an aerofoil). But conventionally rigged vessels cannot travel as fast as C-cats because canvas, and its modern replacements, have disadvantages over solid sails.

First, unlike a fabric sail, a rigid sail does not need to waste time finding its shape before lift happens. Second, a fixed sail’s carefully designed shape produces lift at a much smaller angle to the wind than does a fabric sail. That means a C-class vessel can make small, rapid turns–an ideal feature for a race in which the boats zigzag their way up and down a fixed course.

Third, a rigid sail supports itself. That means the tension in the cables that attach it to the hulls is minimal. As a result, the hulls, and the bracing between them, do not need to be as strong (and therefore as heavy) as would otherwise be the case. Indeed, the vessel itself weighs little more than the two people who crew it.

Add flaps, which provide extra lift in gentle winds in the same way that they stop a plane from stalling when it is landing, and put a 15° twist in the sail to account for the fact that the wind at the top of a sail moves faster than the wind at the bottom, and you have the ultimate sailboat. Which of the three competitors is the ultimate ultimate will soon become clear.

Using Holography and LEDs to Make Art

A while back, I had the opportunity to visit the studio of San Francisco artist Christine Remy, who creates holographic portraits and LED sculptures. Much of her art is subtle and contemplative, however, she has two projects that I found striking and even emotionally jarring.  One is a series of holographic portraits that are larger than life. The video doesn’t go into the details (and shows only one portrait), but the holographic series is composed of three-dimensional, animated images of a trio grieving women. As you move around the portraits, you get a different perspective of the women’s faces and their grief.

The other project is a persistence-of-vision piece in which a line of LEDs projects a life-sized image of a girl into air. It’s eerie because you can only catch glimpses of the girl out of the corner of your eye. Her presence if fleeting; it feels like you’re sharing the room with a ghost.

I kept the video short, trying to highlight as many projects as possible, but in doing so, I only touched on the wide range of Remy’s art, her motivation, and the technology behind it. If you’re interested in seeing more of her work, you can go to christineremyart.com. If you’re in San Francisco, I highly recommend a visit to her studio in the Mission District–the best way to experience her art is to see it in person.

Polaroid’s New Instant Camera

The digital camera revolution was a little rocky for Polaroid, a company famous for an iconic film camera that prints photos instantly. But thanks to the invention of a new type of thermal printer, the company now has a instant digital camera, the Pogo. I’ve had the chance to play around with one for a couple of weeks* and I have some thoughts. First the bad:

  • The camera is big and boxy, much like a Walkman from the ’80s.
  • The 2″ x 3″ photo paper is loaded into the body of the camera, but when you shake the camera the paper moves around. Technically this isn’t a problem, but it’s still disconcerting to hear things moving inside.
  • The user interface is awkward and slow compared to the other cameras–Pentax, Canon, and Nikon– that I’m used to using.

Now the good:

  • It is AWESOME to be able to print out a picture and give it to a person on the spot. People are so used to having their picture taken and resigning themselves to the fact that they may never see it again. Maybe it will be posted on Flickr or Facebook, maybe not. It’s been surprisingly fun and rewarding to give a physical picture to someone immediately.
  • These cameras aren’t very well known yet, so there’s a nice novelty to them.
  • The photo paper is relatively cheap. You can buy a pack of 30 for $10.
  • I’ve found that I enjoy thinking of fun and clever uses for the pictures like putting together flip books or hiding pictures of me making funny faces around the house for my partner to find.

My main recommendation to Polaroid is to change the form factor of the PoGo. I understand that the camera has to be a little bigger than the average point-and-shoot to accommodate the internal printer and paper, but why not have a little fun? Urban Outfitters sells bigger, vintage-looking digital cameras that the cool kids really love. Imagine how much more they’d love these cameras if they printed photos too!

*Disclosure: the PoGo sells for $199, but I got mine as a free gift for participating as a judge in a design contest for the Zink thermal printer.

Topographic Sculpture of Kansas

SchepmannFarmTopoMy friend Dan, who helped me build the light pipe prototype, recently got a CNC mill. He’s been asking me if there’s anything I want to make with it, and now I think I have an idea.

My in-laws live on a farm close to Holyrood, Kansas, damn near the geographic center of the United States. I thought it’d be cool to use the mill to carve, out of wood, a topographic representation of the land around the farm. Now, this being Kansas, there isn’t much change in elevation, but there are some pretty streams and enough variation, I think, to be interesting if we tweak the scale a bit.

Inspiration for this project came from jewelry designer, Erik Maes, who makes very cool topographic belt buckles.

Books with Video?

The New York Times has an interesting article about a new breed of electronic books that showcase video and other multimedia. It’s an cool idea, and encouraging that it’s being driven by publishers, which have historically been slow to innovate. An excerpt from the article:

The most obvious way technology has changed the literary world is with electronic books. Over the past year devices like Amazon’s Kindle and Sony’s Reader have gained in popularity. But the digital editions displayed on these devices remain largely faithful to the traditional idea of a book by using words — and occasional pictures — to tell a story or explain a subject.

The new hybrids add much more. In one of the Simon & Schuster vooks, a fitness and diet title, readers can click on videos that show them how to perform the exercises. A beauty book contains videos that demonstrate how to make homemade skin-care potions.

Not just how-tos are getting the cinematic work-up. Simon & Schuster is also releasing two digital novels combining text with videos a minute or 90 seconds long that supplement — and in some cases advance — the story line.

In “Embassy,” a short thriller about a kidnapping written by Richard Doetsch, a video snippet that resembles a newscast reveals that the victim is the mayor’s daughter, replacing some of Mr. Doetsch’s original text.

One thing is clear to me: thanks to the technical limitations of E Ink, there’s no way these hybrid books could work on Amazon’s Kindle or Sony’s Reader anytime soon. E Ink was innovative 10 years ago, but has failed to improve to the point where it is fast enough to handle video. The iPhone is light years ahead of most e-readers in this regard. A good New Yorker article extolls the virtues of the iPhone as an e-reader here.

But I believe there is hope for better e-readers without having to squint into the tiny screen of an iPhone. LCD screens are making inroads as possible e-reader displays thanks to innovative designs that make them low power and importantly, able to handle high resolution video as well as text. One company that is working on this is Fujitsu, using technology licensed from Kent Displays of Kent, Ohio. (An article I wrote about the technology is here.)

Another company to keep an eye on is Pixel Qi, founded by Mary Lou Jepsen, formerly the CTO of the One Laptop Per Child project. Pixel Qi’s displays, which are expected to ship in netbooks by the end of the year, are high-resolution, low-power, and sunlight readable. And unlike the Fujitsu reader, which is expected to be thousands of dollars, Pixel Qi displays will be cheap enough to integrate into inexpensive netbooks and e-readers.

From the Pixel Qi blog:

Ruby Laser T-shirt

As I mentioned in the previous post, I’m designing t-shirts for AcademicFlair.com. It’s a great site, created by my friend Tina, where you can find awesomely geeky t-shirts, tote bags, Sigg bottles and more. Since I have an interest in lasers, I started there with my design ideas. I found a public domain image of the first laser ever made, which used a ruby crystal as the lasing medium. I thought it looked cool, so I imported it into Aviary, a sweet online image-editing tool, and made a few changes. The result:

RubyLaser

You can buy your Ruby T-shirt here!

Things a Boy Can Do With Chemistry

In college, I spent a fair amount of time in the chemistry section of the library, flipping through the armful of available books on the topic. The book I spent the most time with was for children, written in 1940 by Alfred Powell Morgan. It was called “Things a Boy Can Do With Chemistry,” and it struck me as unbelievably sexist.

So I did the reasonable thing and took the book out of commission for as long as possible, according to library lending rules. During my time with the book, I fumed about the hurdles a scientifically-inquisitive girl faced in the first half of the twentieth century. Oh, the injustice! Also, I scanned the cover and digitally altered “Boy” to “Girl” in a small act of solidarity with my scientific sisters. I had intentions of putting the “Girl” version on a t-shirt or tote bag, but it never happened.

Lately, I’ve been designing nerdy t-shirts for AcademicFlair.com, an awesome place to get all your geek-out gear. I was thinking of ideas, and “Things” came to mind. A modified version of the cover on a coffee mug or a 100% cotton tee could be fun.

things a boy can do with chemistry

things a girl can do with chemistry

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